Co-curation, with Charlie Clark, of the cabaret Behavioral Garments in collaboration with the exhibition Cinzia says…, the first major retrospective of artist and fashion designer Cinzia Ruggeri (1942–2019), a unique figure of Italian postmodernism who moved freely across disciplines.

In the spirit of Cinzia Ruggeri’s own fashion shows that she framed as theatrical events, the cabaret presented contemporary performance artists who responded to her work in a cabaret hosted by writer, performer, and artist, Charlie Wood. with performances from Amazí, Hollie Miller, Joseph June Bond, Mab George Sanders, Moina Moin, Paola Estrella, Pea B.ordep, and Wet Mess.

Site-specific curatorial series entitled On Buried Ground in the Christ Church Burial Ground. In the wake of continued loss artists Emily Bate and Shayla-Vie Jenkins each presented new meditations in the graveyard. Each work, sited in one of the oldest resting places in Philadelphia, considered grief and communal gatherings of public healing. Bate and Jenkins each acknowledged the burial ground as a tender and troubled place that holds layers of the city’s history — casting it as a space that is ultimately as much about futures created together as it is the past.

Dammers co-curated the annual international Fringe Festival and organized year-round programs including the Get Pegged cabaret series with John Jarboe and the Bearded Ladies, the Hand to Hand circus festival, and a commissioning series for Philadelphia-based artists across theatre and performance.

Dammers co-curated exhibitions and performances at The Kitchen in both gallery and theatrical spaces. Also working as Archive Manager for The Kitchen, she cataloged and prepared their paper collection for acquisition by The Getty Institute, and integrated archival material into contemporary exhibition and performance programming.